Monologues are tricky. Not only do you need a consistently interesting script, you also need a tremendously talented actor at the helm. To The Dam has both of these things, and more. Written and directed by John Clarke, and performed by Jo Gerard, it is a tragic tale of a woman suppressed.
Lisa lets us in to her tormented world. We learn about the child she lost, the daughter she still has but can’t control, and her unhealthy relationship with a man she can’t change. But we also learn about her love for terrible eighties music, and her desire to be an artist. She is honest and open, in the way only the troubled can be. She is vulnerable; we want to turn away from the scenes of her abuse, because we know we ultimately cannot help her.
Jo Gerard’s performance is astounding. Lisa is such a multi-faceted character, and Gerard displays every side of this fascinating woman with real depth. In the moments when she made eye contact with me, I felt a genuine connection with this woman. I wanted to know her story. Even in her more aggressive moments, we sympathise rather than judge.
Clarke’s script is equally impressive. The jumps in time flow very well, building the story with perfect pacing. External characters are represented very effectively, and through Lisa’s one-sided dialogue we get a real sense of who these unseen people are.
Mentions must be made regarding the incredible use of light and sound. The shadows almost permanently cast by Gerard perfectly reflected this multi-dimensional character. And the subtle aural touches were inspired, culminating in a positively redemptive chorus.
To The Dam has some very bleak moments, but we are left ultimately hopeful. Lisa has made it this far, and no doubt will make it further. She does not wish to be a victim. Clarke has created a very special character in Lisa, and Jo Gerard’s stunning performance makes this play one of the highlights of this year’s 24:7 Theatre Festival.
To The Dam runs until 24th July. For ticket and information, click here.